Brian Gross Fine Art

the estate of Leo Valledor
A New Slant, 1981

Sunstrut, 1981

Aslantis, 1986

Spaced, 1976

Current, 1967

Lust, 1975

A.I.R. (Artist in Residence), 1981

Liberty Rock, 1980

TGIF, 1982

Ezistance, 1986

Yabstruck, 1983

b. San Francisco, CA, 1936
d. San Francisco, CA, 1989
B.A. California School of Fine Arts (now San Francisco Art Institute)
M.F.A. California School of Fine Arts (now San Francisco Art Institute)
Selected Solo and Two-Person Exhibitions
A New Slant, Brian Gross Fine Art, San Francisco, CA
Leo Valledor: Color Space, Brian Gross Fine Art, San Francisco, CA
David Richard Gallery, Santa Fe, NM
Togonon Gallery, “Play It By Eye”, San Francisco, CA
Togonon Gallery, “Between Sound & Space”:The Paintings of Leo Valledor, San Francisco, CA
Togonon Gallery, Leo Valledor Selected Works, San Francisco, CA
Mendenhall Sobieski Gallery, “Leo Valledor & Carlos Villa”, Pasadena, CA
Mitchell Algus Gallery, Chelsea, NY
1983, 1982, 1980
Modernism, San Francisco, CA
Daniel Weinberg Gallery, San Francisco, CA
Los Angeles Institute of Contemporary Art, Los Angeles, CA
M.H. de Young Memorial Museum, San Francisco, CA
Daniel Weinberg Gallery, San Francisco, CA
San Francisco Museum of Modern Art, San Francisco, CA
San Francisco Art Institute, San Francisco, CA
Graham Gallery, New York, NY
Park Place Gallery, NY - Robert Grosvenor Sculpture/Leo Valledor Paintings
Park Place Gallery, NY, Leo Valledor/Robert Smithson/Sol LeWitt
Dilexi Gallery – Blue & Black Series, San Francisco, CA
California School of Fine Arts, San Francisco, CA
The Six Gallery: Compositions & Jazzus Series, San Francisco, CA
Selected Group Exhibitions
Mustard Road, The Battery SF, San Francisco, CA
The Butterfly Effect: Art in 1970s California, Palo Alto Art Center, Palo Alto, CA
David Richard Gallery “Sensation”, Santa Fe, NM
SFMOMA, 75th Anniversary show from the Permanent Collection: “Abstract Art in the U.S. 1955-65”, San Francisco, CA
Blanton Museum of Art: The Park Place Group, Austin, TX
de Young Museum, Fine Arts Museums of San Francisco, “Asian/American/Modern Art: Shifting Currents 1900-1970”, San Francisco, CA
Togonon Gallery, San Francisco, CA
Mitchell Algus Gallery, New York, NY
Bluxome Gallery, San Francisco, CA
871 Fine Arts, San Francisco, CA
Bluxome Gallery, San Francisco, CA
John Berggruen Gallery, San Francisco, CA
Redding Museum and Art Center, Shasta College, Redding, CA
San Francisco Art Institute
San Jose Institute of Contemporary Art, San Jose, CA
Sun Gallery, Hayward, CA
Oakland Museum of California, Oakland, CA
Public Image, New York, NY
San Francisco Arts Commission Gallery, CA
Belca House, Kyoto, Japan
Mills College Art Gallery, Oakland, CA,
Worth Ryder Gallery, University of California, Berkeley, CA
San Francisco Museum of Modern Art, CA
Lone Mountain College, San Francisco, CA
San Francisco Art Institute, San Francisco, CA
Six Painters, Six Attitudes, The Oakland Museum of California
San Francisco Art Institute, San Francisco, CA
East-West Series, San Francisco Museum of Modern Art
San Francisco Art Institute, San Francisco, CA
Hayden Gallery, MIT, Park Place Group, Cambridge, MA
Philips Exeter Academy, Exeter, NH, San Francisco Art Institute, CA
Denver Art Museum, Park Place Gallery, Art, Denver, CO
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Dallas Museum of Art, Dallas, TX
Long Beach Island Foundation of the Arts and Sciences, Loveladies, NJ
Georgia Museum of Art, University of Georgia, Athens, GA
Instituto Torcuato de Tella, Buenos Aires, Argentina
Museo del Arte, Caracas, Venezuela
Drew University, Madison, Wisconsin
New York University, NY
Bykert Gallery, NY
Heath Gallery, Atlanta, GA
Larry Aldrich Museum, Highlights of the Season, Ridgefield, CT,
Jacksonville Museum of Art, FL
Lannan Foundation Museum, Palm Beach
Bykert Gallery, NY
Art’65, American Express Pavilion, New York’s World’s Fair, Queens, NY
San Francisco Museum of Modern Art, CA
Smithsonian Institution Traveling Exhibition, Latin America
World House Galleries, NY
Graham Gallery, Young Masters, NY
John Daniels Gallery, NY
Van Bovenkamp Gallery, NY
Eleven Artists, Kaymar Gallery, NY (Included works by Sol LeWitt, Dan Flavin, Donald Judd, Walter Darby Bannard, Jo Baer, Larry Poons, and Robert Ryman)
Noah Goldowsky Gallery, NY
Park Place Group, NY
San Francisco Museum of Modern Art, CA
Dilexi Gallery, San Francisco, CA
Dilexi Gallery, San Francisco, CA
Walker Art Center, Minneapolis, MN
Six Gallery, San Francisco, CA
Selected Public Collections
SFMOMA, San Francisco, CA
De Young Museum, Fine Arts Museums of San Francisco, CA
Achenbach Foundation, Fine Arts Museums of San Francisco, San Francisco, CA
Berkeley Art Museum, University of California, Berkeley, CA
Yale University Art Gallery, New Haven, CT
Oakland Museum of California
Allentown Art Museum, Allentown, PA
Crocker Art Museum, Sacramento, CA
The Dorothy and Herbert Vogel Collection: “Fifty Works for Fifty States”
Philadelphia Museum of Art, Philadelphia, PA
St. Louis Art Museum, St. Louis, MO
Nora Eccles Harrison Museum of Art, Logan, UT
US Department of State Art in Embassies Program, Washington D.C.
San Francisco Art Institute
University of California, Berkeley,
Lone Mountain College, San Francisco, California
Selected Bibliography
Albright, Thomas. Art in the San Francisco Bay Area, University of California Press, 1985.
Aldrich, Larry. Statement for catalog “Highlights of 1965 – 66 Art Season.” The Larry Aldrich Museum, July 1966.
Amy, Michael. “Leo Valledor and Mario Yrissary at Mitchell Algus.” Art in America, 95 (March, 2007): 178.
Baker, Kenneth. Forakis and Valledor at Togonon, San Francisco Chronicle, October 25, 2008.
Bourdon, David,”E=Mc2 a Go-Go.” Art news, January, 1966, ill.
Ballatore, Sandy. “Four Solo Exhibitions: Nancy Genn, John Okulick, Jack Scott, Leo Valledor.” Los Angeles: Los Angeles Institute of Contemporary Art, 1976.
Battcock, Gregory (editor). “Minimal Art: A Critical Anthology,” E.P. Dutton, 1968
Berrigan, Ted. “Leo Valledor” (Graham Gallery show review). Art News, October, 1966: 65.
Boettger, Suzaan. “Geometric Surfaces with Illusory Depth.” Art Week, 11 (August 16, 1980): p 5.
Chang, Gordon, Mark Dean Johnson & Paul Karlstrom. Asian American Art, A History, 1850-1970, Stanford University Press, 2008.
Colpitt, Francis, “Space Explorers”, February 2009, Art in America, p 61.
Cornell, Daniell & Mark Dean Johnson, Eds. Asian/American/Modern Art - Shifting Currents, 1900-1970. Exhibition Catalog, de Young Museum, Oct. 25-Jan, 2008.
Cotter, Holland “The Filipino Roots of Minimalism” The New York Times, Art in review, September 29, 2006.
Dunham, Judith L. “Leo Valledor Paintings.” Art Week, 4, November 17, 1973: 3.
Frankenstein, Alfred. “Valledor’s Masterly Art/Clarity and Aloofness.” San Francisco Chronicle, February 21, 1974.
_____. “The Man the Museum Overlooked” San Francisco Chronicle, August 20, 1976.
Fleming, Dean. “Interview: Leo Valledor.” Ocular (Denver), 6 (Fall 1981): 28 – 38.
Fitz Gibbon, John, The Pilot Hill Collection Exhibition Catalog, curated by Scott shields, Crocker Museum, 2002.
Glueck, Grace. “ABC to Erotic” (includes review of Graham Gallery show), Art in America, 54 (Fall, 1966): 107.
Green, Bacon, Bourdon, “Art For the City, Institute of Contemporary Art, University of Pennsylvania, PA, 1967.ill.
Henderson Dalrymple, Linda, “Park Place: Its Art and History” Blanton Museum of Art “Reimagining Space: The Park Place Gallery Group in 1960s New York” Catalog essay, 2008: 17.
_____. The Fourth Dimension and Non-Euclidean Geometry in Modern Art, MIT Press, 2012.
Hopkins, Henry. “50 West Coast Artists,” Chronicle Books, 1981.
Howard, Seymour, and John Natsoulas. “The Beat Generation Galleries and Beyond.” Davis, CA: John Natsoulas Press, 1966.
Kim, Elaine, Margo Machida & Sharon Mizota. Fresh Talk, Daring Gazes, University of California Press: Berkeley, Los Angeles, London, 2003.
Hutchinson, Peter. ”Mannerism in the Abstract.” Artand Artists, Septemebr, 1966.
Humblet, Claudine. The New American Abstraction, Skira/Seuil, 2003, Third Volume, pp. 1893-1937.
Lippard, Lucy R. “Perverse Perspectives,” Art International, March 1967.
Loleng, Stephanie Grace. “Provocative colors in Leo Valledor’s art” Philippine News, April 26, 2006.
Martin, Fred. “Leo Valledor in Retrospect.” Art Week, 7, September 4, 1976: 18.
Morris,Barbara. “Leo Valledor:Play It By Eye at Togonon Gallery”, Art Ltd, Jan/Feb. 2012
Mizota, Sharon. Selected Works: Paintings by Leo Valledor, SF Weekly, March 29, 2006.
MSG Gallery, Los Angeles and Shanghai, “Leo Valledor/Carlos Villa” essay by Paul. J. Karlstrom, Los Angeles, 2006.
Nordland, Gerald. Statement for catalogue “Neri, Vaea, Valledor,” San Francisco Museum of Art (August 1971)
O’Doherty, Brian. “Art: Avant – Garde Deadpans on Move.” New York Times (April 11, 1964): 22
Rinder, Lawrence. “Leo Valledor: Selected Works.” Catalog Essay, Togonon Gallery Exhibition, 2006.
Stiles, Knut, “Leo Valledor at Modernism Gallery.” Art in America, November – December, 1976.
Smithson,Robert. “Entropy and the New Monuments.” Art Forum, June, 1966
Swain, Richard. “Robert Grosvenor, Leo Valledor”, In the Galleries, Art News, December 1965 .
Schwendener, Martha. , "ART AND SPACE: Park Place and the Beginning of the Paula Cooper Gallery, New York Times The Archives of American Art, New York Regional Center Gallery, February 19, 2007.
Valledor, Leo. Statements for catalogue “Art 65” American Express Pavilion, New York World’s Fair, Flushing, NY, 1965.

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