Brian Gross Fine Art: Artists: Robert Jack

Born: 1971; New Haven, Connecticut; Lives and works in Brooklyn, New York
Education: 1994; BSLA (Landscape Architecture) with a Minor in Fine Arts (Painting and Drawing), The City College of New York City
Solo Exhibitions: 2008; The Lower Tiers, Galeria Paola Verrengia, Salerno, Italy; Before and Aftermath, Josee Bienvenu Gallery, New York City; 2007; Elements of Histories, Brian Gross Fine Art, San Francisco; 2005-6; Occupation, Josée Bienvenu, New York City; 2004; Bar=100nm: Recent Works on Paper, Brian Gross Fine Art, San Francisco; 2002; Almost Replicating, CristineRose Josée Bienvenu, New York City (catalog); 2001; Webs and Flow, 123 Watts, New York City (catalog); 1996; Three Works, Montserrat Gallery, New York City; 1995; Recent Work, Part II, Den of Thieves, New York City; Recent Work, Part I, Den of Thieves, New York City
Selected Group Exhibitions: 2009; Summer Shortcuts: A Drawing Forecast, Josee Bienvenu Gallery, New York City; Paper/Mylar/Vellum, Brian Gross Fine Art, San Francisco; microwave 7, Judi Rotenburg Gallery, Boston; 2008; Benefit, The Drawing Center, New York; Group Exhibit, Brian Gross Fine Art, San Francisco; 2006; Twice Drawn, Tang Museum at Skidmore College, Saratoga Springs, New York; 2005; Systems Now: A Survey of Recent Systematic Art, Elvehjem Museum of Art (now Chanzen Museum of Art) Madison, Wisconsin, curated by Joseph Cunningham; Paintings, Josee Bienvenu Gallery, New York City; 2004; Puzzle Palace, Josee Bienvenu Gallery, New York City; 2003; Group Print Exhibition, Nasu-Kougen Museum, Nasu, Japan; Paper 2003, Metaphor Contemporary Art, Brooklyn, New York; The Incredible Lightness of Being, Black and White Gallery, Brooklyn, New York, curated by Phong Bui; The Sessions of Sweet Silent Thought, Bronx River Art Center, Bronx, New York, curated by Mercedes Vicente; 2002; Fire Works, 55 Mercer Gallery, New York; Made In Brooklyn, Wythe Studio, Brooklyn, New York; the microwave, CristineRose Josée Bienvenu, New York City; Untitled, 123 Watts, New York City; 2001; Repetition in Discourse, The Painting Center, New York City, curated by Phong Bui; Small Works, Grey Art Gallery, New York University, New York City; Un/Ruled, Exhibit A, New York, NY, curated by Mercedes Vicente; 2000; ARCO Art Fair, 123 Watts, Madrid, Spain; Group Exhibition, Independence Gallery, Brooklyn, New York; Group Exhibition, Patricia Hamilton / Arthur Solway, Los Angeles, California; Meat Market Art Fair, 123 Watts, New York City; 1999; microwave, one, 123 Watts Gallery, New York City (catalog); Pier Show VII, Brooklyn Waterfront Artists Coalition, Brooklyn, New York; Summer Slam ‘99, Tobey Fine Arts, New York City; 1998; Fresh Blood: 13 Young Artists, Archibald Arts, New York City; Media Madness, Westbeth Gallery, New York City; Small Works, Gallery 402, New York City; 1997; Extra-Dimensional, Ward-Nasse Gallery, New York City; Totally Abstract, Ward-Nasse Gallery, New York City; 1996; 3rd Annual National Juried Exhibition, St. Johns University, New York City; Color: The Divine Madness, Ward-Nasse Gallery, New York City; International Salon '96, Ward-Nasse Gallery, New York City
Bibliography: Occupation, exhibition catalog, Josee Bienvenu Gallery.; Systems Now: a survey of recent systematic art, by Joseph Cunningham, Madison: Elvehjem Museum of Art, Madison, 2004.; Almost Replicating, exhibition review by Jonathan Goodman, Art In America, July 2003.; The Incredible Lightness of Being, exhibition review by Holland Cotter, New York Times, February 14, 2003.; Almost Replicating, exhibition catalog, CristineRose Josée Bienvenu, 2002.; The Microwave, exhibition review by Ken Johnson, New York Times, October 4, 2002.; The Microwave, exhibition review by Joyce Korotkin, M: The New York Art World, October, 2002.; Webs and Flow, by Jonathan Goodman, exhibition catalog, 123 Watts, 2001.; Webs and Flow, exhibition review by Ken Johnson, New York Times, March 23, 2001.; Webs and Flow, exhibition review by Robert Mahoney, Time Out New York, February 22-March 1, 2001.; microwave, one, exhibition review by Dominique Nahas, Review, October 15, 1999.; microwave, one, exhibition catalog, New York: 123 Watts Gallery, 1999.; Exhibition review, November 1997, Artspeak Magazine, New York.; Mural commission, March 1996, Peck's Cafe, New York City.; Publication of drawing, Fall 1995, Lurch magazine.


		Born 1971 New Haven, Connecticut Lives and works in Brooklyn, New York Education 1994 BSLA (Landscape Architecture) with a Minor in Fine Arts (Painting and Drawing), The City College of New York City Solo Exhibitions 2008 The Lower Tiers, Galeria Paola Verrengia, Salerno, Italy Before and Aftermath, Josee Bienvenu Gallery, New York City 2007 Elements of Histories, Brian Gross Fine Art, San Francisco 2005-6 Occupation, Josée Bienvenu, New York City 2004 Bar=100nm: Recent Works on Paper, Brian Gross Fine Art, San Francisco 2002 Almost Replicating, CristineRose Josée Bienvenu, New York City (catalog) 2001 Webs and Flow, 123 Watts, New York City (catalog) 1996 Three Works, Montserrat Gallery, New York City 1995 Recent Work, Part II, Den of Thieves, New York City Recent Work, Part I, Den of Thieves, New York City Selected Group Exhibitions 2009 Summer Shortcuts: A Drawing Forecast, Josee Bienvenu Gallery, New York City Paper/Mylar/Vellum, Brian Gross Fine Art, San Francisco microwave 7, Judi Rotenburg Gallery, Boston 2008 Benefit, The Drawing Center, New York Group Exhibit, Brian Gross Fine Art, San Francisco 2006 Twice Drawn, Tang Museum at Skidmore College, Saratoga Springs, New York 2005 Systems Now: A Survey of Recent Systematic Art, Elvehjem Museum of Art (now Chanzen Museum of Art) Madison, Wisconsin, curated by Joseph Cunningham Paintings, Josee Bienvenu Gallery, New York City 2004 Puzzle Palace, Josee Bienvenu Gallery, New York City 2003 Group Print Exhibition, Nasu-Kougen Museum, Nasu, Japan Paper 2003, Metaphor Contemporary Art, Brooklyn, New York The Incredible Lightness of Being, Black and White Gallery, Brooklyn, New York, curated by Phong Bui The Sessions of Sweet Silent Thought, Bronx River Art Center, Bronx, New York, curated by Mercedes Vicente 2002 Fire Works, 55 Mercer Gallery, New York Made In Brooklyn, Wythe Studio, Brooklyn, New York the microwave, CristineRose Josée Bienvenu, New York City Untitled, 123 Watts, New York City 2001 Repetition in Discourse, The Painting Center, New York City, curated by Phong Bui Small Works, Grey Art Gallery, New York University, New York City Un/Ruled, Exhibit A, New York, NY, curated by Mercedes Vicente 2000 ARCO Art Fair, 123 Watts, Madrid, Spain Group Exhibition, Independence Gallery, Brooklyn, New York Group Exhibition, Patricia Hamilton / Arthur Solway, Los Angeles, California Meat Market Art Fair, 123 Watts, New York City 1999 microwave, one, 123 Watts Gallery, New York City (catalog) Pier Show VII, Brooklyn Waterfront Artists Coalition, Brooklyn, New York Summer Slam ‘99, Tobey Fine Arts, New York City 1998 Fresh Blood: 13 Young Artists, Archibald Arts, New York City Media Madness, Westbeth Gallery, New York City Small Works, Gallery 402, New York City 1997 Extra-Dimensional, Ward-Nasse Gallery, New York City Totally Abstract, Ward-Nasse Gallery, New York City 1996 3rd Annual National Juried Exhibition, St. Johns University, New York City Color: The Divine Madness, Ward-Nasse Gallery, New York City International Salon '96, Ward-Nasse Gallery, New York City Bibliography Occupation, exhibition catalog, Josee Bienvenu Gallery. Systems Now: a survey of recent systematic art, by Joseph Cunningham, Madison: Elvehjem Museum of Art, Madison, 2004. Almost Replicating, exhibition review by Jonathan Goodman, Art In America, July 2003. The Incredible Lightness of Being, exhibition review by Holland Cotter, New York Times, February 14, 2003. Almost Replicating, exhibition catalog, CristineRose Josée Bienvenu, 2002. The Microwave, exhibition review by Ken Johnson, New York Times, October 4, 2002. The Microwave, exhibition review by Joyce Korotkin, M: The New York Art World, October, 2002. Webs and Flow, by Jonathan Goodman, exhibition catalog, 123 Watts, 2001. Webs and Flow, exhibition review by Ken Johnson, New York Times, March 23, 2001. Webs and Flow, exhibition review by Robert Mahoney, Time Out New York, February 22-March 1, 2001. microwave, one, exhibition review by Dominique Nahas, Review, October 15, 1999. microwave, one, exhibition catalog, New York: 123 Watts Gallery, 1999. Exhibition review, November 1997, Artspeak Magazine, New York. Mural commission, March 1996, Peck's Cafe, New York City. Publication of drawing, Fall 1995, Lurch magazine.