FRAMED
Works by Peter Alexander, Robert Arneson, Andrew Belschner, Roy De Forest, Adam Fowler, Dana Hart-Stone, Robert Hudson, Ed Moses, Ruth Pastine, Paul Sarkisian and Andrea Way
January 15–March 5, 2022
Opening reception: Saturday, January 15, 3:30–5:30pm
Robert Hudson, Untitled, c.1960;
15-1/2×15 inches
Roy De Forest, Untitled, 1971;
22-1/2×30-1/2 inches framed
Dana Hart-Stone, Parade, 2021; 13×44 inches
Robert Hudson, Untitled, c.1960;
10-3/4×14-1/2 inches
Paul Sarkisian, Wars of Pardon, 1963;
13-1/2×12-3/4 inches
Dana Hart-Stone, Statues of Liberty, 2021; 13×44 inches
Robert Hudson, Untitled, c.1963;
10-1/2×10-1/2 inches
Robert Arneson, A Latter day Bob, 1981;
37×29-3/4 inches framed
Ed Moses, Untitled Drawing, 1974;
23-3/4×21-3/4 inches framed
Ed Moses, Untitled Drawing, 1988;
40×29 inches framed
Adam Fowler, C, 2018;
26-1/4×19-1/4 inches
Andrea Way, Lodestar, 2013;
39-3/4×31 inches framed
Peter Alexander, Black Stroke #43, 2017;
12×9 inches, 17-1/2×14-1/2 inches framed
Peter Alexander, Black Stroke #56b, 2017;
12×9 inches, 17-1/2×14-1/2 inches framed
Adam Fowler, H, 2019;
26-1/4×19-1/4 inches
Ruth Pastine, Depths, Blue 3, 2020;
30×22 inches
Andrew Belschner, 3.060, 2017;
30×40-1/2 inches
Press Release
Brian Gross Fine Art is pleased to announce the opening of FRAMED: Works by Peter Alexander, Robert Arneson, Andrew Belschner, Roy De Forest, Adam Fowler, Dana Hart-Stone, Robert Hudson, Ed Moses, Ruth Pastine, Paul Sarkisian and Andrea Way on Saturday, January 15, 2022, with a reception from 3:30–5:30pm. The exhibition with feature works by gallery artists that range from abstract to conceptual to representational in an array of media that includes paintings, drawings, prints and mixed media collage. The exhibition will be on view through March 5, 2022.
Highlighted in the exhibition will be a group of Black Stroke paintings on paper by Peter Alexander that shimmer with light, radiant color study paintings on paper by Ruth Pastine, intricately cut and layered works on paper by Adam Fowler, a sensuously atmospheric watercolor by Andrew Belschner, an elaborate rule based drawing by Andrea Way, and a mixed media self-portrait on paper by Robert Arneson. Making their gallery exhibition debut will be diagonal grid drawings from the 1970s and 80s by Ed Moses, a pair of new panoramic prints replete with appropriated photographic imagery by Dana Hart-Stone, formative drawings by Robert Hudson from the early 1960s, a rare drawing by Roy De Forest from 1971, and a mixed media collage by Paul Sarkisian from 1963.
Ranging in size from large to intimately scaled, the works in FRAMED encompass a broad range of artistic styles that have emerged from the 1960s to today.