Brian Gross Fine Art: Artists: Robert Sagerman

Born: 1966; Bayside, NY
Education: 2008; PhD, New York University, Dept. of Hebrew and Judaic Studies; 2000; MA, New York University, Dept. of Religious Studies; 1998; MA, Pratt Institute, Dept. of Art History; MA, Pratt Institute, Dept. of Fine Arts; 1990; BA, Pratt Institute, Dept. of Fine Arts; 1984-1986; United States Military Academy
Solo Exhibitions: 2019; Efflux, Brian Gross Fine Art, San Francisco, CA; exhibition catalog; Instantiations, Philip Slein Gallery, St. Louis, MO; 2018; Small Gestures, and the Fullness of Fields, Cris Worley Fine Arts, Dallas, TX; 2017; Groundwork, Galerie Peithner-Lichtenfels, Vienna, Austria; Totalizations, Marcia Wood Gallery, Atlanta, GA; 2016; Cumulus, Brian Gross Fine Art, San Francisco, CA; Monochrome Paintings, Philip Slein Gallery, St. Louis, MO; 2014; Far Closer, Margaret Thatcher Projects, New York; 2013; Peter Blake Gallery, Laguna Beach, CA; Openings, Marcia Wood Gallery, Atlanta, GA; 2012; Still Without Cessation, Brian Gross Fine Art, San Francisco, CA; It’s Time, Margaret Thatcher Projects, New York; 2011; Galerie Renate Bender, Munich, Germany; Ermanno Tedeschi Gallery, Rome, Italy; 2010; The Number Escapes Me, Marcia Wood Gallery, Atlanta, GA; 2009; On and On: Inquiries into Indeterminacy, Margaret Thatcher Projects, New York, NY; Workings, Brian Gross Fine Art, San Francisco, CA; Ermanno Tedeschi Gallery, Rome and Turin, Italy; 2008; Galerie Renate Bender, Munich, Germany; Never. Ever., Marcia Wood Gallery, Atlanta, Georgia; 2007; dematerializations / interstices / permutations, Brian Gross Fine Art, San Francisco, CA; Activity, Margaret Thatcher Projects, New York, NY; 2006; Innumerable Naught Nary, Marcia Wood Gallery, Atlanta, GA; Recent Paintings, Renate Bender Gallery, Munich, Germany; 2005; Amassing Color, Margaret Thatcher Projects, New York, NY; Marking Time, Brian Gross Fine Art, San Francisco, CA; 2004; Marcia Wood Gallery, Atlanta, GA; 2003; 435,546 Marks, Margaret Thatcher Projects, New York, NY
Two-Person Exhibitions: 2017; minimalsensualphysical, with Matt McClune and Jeremy Thomas, Galerie Renate Bender, Munich Germany; Introductions, Cris Worley Fine Art, Dallas, TX; 2014; Object Painting; Painting Object, with Bill Thompson, Galerie Renate Bender, Munich, Germany
Group Exhibitions: 2020; 30th Anniversary Exhibition, Brian Gross Fine Art, San Francisco, CA; exhibition catalog; 2019; Summer Highlights, Cris Worley Fine Art, Dallas, TX; Weiss, Galerie Renate Bender, Munich, Germany; Weiss, Galerie Haas, Ingolstadt, Germany; 2018; Room for Play, Heather Gaudio Fine Art, New Canaan, CT; Improvisations and Premeditations, Philip Slein Gallery, St. Louis, MO; Emerging to Established, Krause Gallery, New York; 2017; The Spirit of Abstraction, Philip Slein Gallery, St. Louis, MO; Opening Scene, Marcia Wood Gallery, Atlanta, GA; Black & White, QuadrART, Dornbirn, Austria; 2016; Big Art/Small Scale, Philip Slein Gallery, St. Louis, MO; 50 Shades of Red, Galerie Renate Bender, Munich, Germany; Gallery Artists, Peter Blake Gallery, Laguna Beach, CA; 2015; Summer Group Show, Peter Blake Gallery, Laguna Beach, CA; Hot Spots, Margaret Thatcher Projects, New York; Black and White, Galerie Renate Bender, Munich, Germany; Schwarz auf Weiss, Museum Für Konkrete Kunst, Ingolstadt, Germany; Mostly Monochrome, Galerie Renate Bender, Munich, Germany; 2014; Pouring it On, The Herter Gallery, University of Massachusetts at Amherst; Summer Formal, Peter Blake Gallery, Laguna Beach, CA; E Artists, Ermanno Tedeschi Gallery, Tel Aviv, Israel; Faszination FARBE, Kunsthaus Furstenfeldbruck, Germany; 2013; New Year 2013, Margaret Thatcher Projects, New York; Living Grey, Mies van der Rohe House, Berlin, Germany; Excavating Layers, Richmond Art Center, Richmond, CA; The Nature of Abstraction, Peter Blake Gallery, Laguna Beach, CA; 2012; Ermanno Tedeschi Gallery, Turin, Italy; 2011; .World, Ermanno Tedeschi Gallery, Tel Aviv, Israel; 2010; Elevazioni e Permutazioni, PaRDeS, Mirano, Italy; Gesture, Brian Gross Fine Art, San Francisco, CA; Monochrome II, Galerie Renate Bender, Munich, Germany; 2009; Pure Paint, Henry Gregg Gallery, Brooklyn, NYCommon Ground: Color, Charlotte Jackson Fine Art, Santa Fe, NM; Common Ground: Color, Charlotte Jackson Fine Art, Santa Fe, NM; 2008; Material Color, Hunterdon County Art Museum, Clinton, NJ; This Just In, Marcia Wood Gallery, Atlanta, GA; The Fascination of the Color Red, Galerie Renate Bender, Munich, Germany; 2007; Luxe, Marcia Wood Gallery, Atlanta, GA; …das viereckige rot?, Galerie Albert Baumgarten, Freiburg, Germany; Farbe, Galerie Huebner, Hamburg, Germany; Surface Impressions, Islip Art Museum, Islip, NY; 2006; Blue!, Karl Ernst Osthaus-Museum Hagen, Germany; Don’t Touch, Renate Bender Gallery, Munich, Germany; 2005; About Paint, Westport Arts Center, Westport, CT; Living Gray, Karl Ernst Osthaus-Museum Hagen, Germany; Summer Sensation, Margaret Thatcher Projects, New York, NY; 2004; Art Festival for World Peace, Shanghai; ArtHouse, Margaret Thatcher Projects, New York, NY; Die Farbe hat mich II, Karl Ernst Osthaus-Museum Hagen, Germany; Gallery Bijutsu Sekai, Tokyo; Innovate, Marcia Wood Gallery, Atlanta, GA; M% Gallery, Cleveland, OH; Painting as Process: Reevaluating Painting, group exhibition with Gerhard Richter and Robert Ryman, Earl Lu Gallery, LASALLE-SIA College of the Arts, Singapore; 2003; Seeing Red: an International Exhibition of Nonobjective Painting, Hunter College, New York, NY, curated by Michael Fehr, Director, Karl Ernst Osthaus-Museum Hagen, Germany; Tickled Pink, Marcia Wood Gallery, Atlanta, GA; 2002; Roy Boyd Gallery, Chicago, IL; Breathing Room, Margaret Thatcher Projects, New York, NY; Blobs, Wiggles and Dots, Webs and Crustillations, The Work Space, New York, NY, curated by Lucio Pozzi; 2001; Margaret Thatcher Projects, New York, NY; coLABORATORY, Gale Gates et al., Brooklyn, NY; Items from the Permanent Collection, Williamsburg Art and Historical Center, Brooklyn, NY; 2000; 01.15.00, Gale Gates et al., Brooklyn, NY; 1999; Size Matters, Gale Gates et al., Brooklyn, NY; Group Exhibition, Gale Gates et al., Brooklyn, NY; 1998; The Calculus of Transfiguration, Williamsburg Art and Historical Center, Brooklyn, NY; Higher Worlds, Pelham Art Center, Pelham, NY; 1997; Downtown Arts Annual Group Exhibition, New York, NY. Juried by Fereshteh Daftari, Martin Eisenberg and Charlotta Kotik; Symposium Finalist, New York. Work selected by Michael Brenson, critiqued by Janet Koplos, Donald Kuspit, Peter Schjeldahl and Simon Watson; 1993; Alexander Gallery, New York, NY; Three Young Future Majors, Alexander Gallery, New York, NY
Museum Collections: The Karl Ernst Osthaus-Museum, Hagen, Germany.; Portland Art Museum, Portland, Oregon.; Museum Für Konkrete Kunst, Ingolstadt, Germany.
Bibliography: “Todd Camplin Weekly: Robert Sagerman and Maysey Craddock,” by Todd Camplin, Modern Dallas, May 4, 2018.; “Cullum’s Notebook: Drennen and Sagerman Offer Intriguing Mysteries that Reward Deeper Engagement,” by Jerry Cullum, ArtsAtl.com, January 19, 2018.; Robert Sagerman; Black Diptychon 9,165 2014 + 8,183 2013, monograph, essay by Michael Fehr, foreword by Hans Burchard von Harling, Immenstadt, Germany, 2017.; “Robert Sagerman @ Brian Gross,” by Larry Gipe, Squarecylinder.com, June 30, 2016.; Schwarz auf Weiss, exhibition catalog, Museum Für Konkrete Kunst, Ingolstadt, Germany, 2015.; “Fairy Queen: Art Miami’s Consistency in Quality Can Rival Art Basel/Miami Beach,” by Joan Boykoff Baron and Reuben M. Baron, Artcritical.com, December 5th, 2014.; Mainly Grey (Hauptsache Grau), exhibition catalog by Michael Fehr, Mies van der Rohe House, Berlin, Germany, 2013.; “Robert Sagerman and the Process of Creation,” by Jaap le Poole, Colorobjects.com, December 2, 2012.; “Interview with Art Miami Director Nick Korniloff,” by Heike Dempster, Miamiartzine.com, November 29, 2013.; “Robert Sagerman at Marcia Wood Gallery,” by Sara Riff, Burnaway.org, October 15, 2013.; “Transfer of Meaning: the Momentum of Abstract Painting,” by Claire Lieberman, Art Experience: New York City, Spring, 2012.; “Robert Sagerman: ‘It’s Time,’” by Matthew Hassell, NY Arts, February, 2012.; “Robert Sagerman’s ‘It’s Time’ Exhibition Dazzles,” by Mia Macfarlane, Downtown, January 16, 2012.; “Tactility as Mysticism; Robert Sagerman at Margaret Thatcher Projects,” by Franklin Einspruch, The New York Sun, January 13, 2012.; “Robert Sagerman’s scrumptious paintings and Claire Lieberman’s piquant sculptures at Marcia Wood Gallery,” by Catherine Fox, ArtCriticATL.com, April 19, 2010.; “Robert Sagerman,” catalog essay by Michael Amy, Turin, 2009. Material Color, Exhibition catalog, 2009. The Hunterdon County Art Museum, Clinton, NJ.; “What I Saw at Art Basel: Day 1,” Emma Trelles, South Florida Sun-Sentinel, December 5, 2007.; “Scratching the ‘Surface’ and teasing your senses,” by Ariella Budick, Newsday, April 2007.; “Indeterminable Painting: Thoughts on the Work of Robert Sagerman,” catalog essay by Michael Fehr, Munich, 2006.; Review of the exhibition “Living Gray” by Thomas W. Kuhn, Kunstform International, No. 176, June 2005.; Living Gray. Exhibition catalogue, 2005. The Karl Ernst Osthaus-Museum, Hagen, Germany.; K-West, April, 2005. Review of the exhibition Living Gray, by Stefanie Stadel.; SF Weekly, May 25, 2005. Review by Sharon Mizota.; Abstract Painting: Concepts and Techniques, by Vicky Perry, 2005; About Paint, Exhibition catalog, 2005.; Art Festival for World Peace. Exhibition catalog, 2004. Gallery Bijitsu-Sekai, Tokyo, Japan.; “Robert Sagerman at Marcia Wood Gallery,” by Cathy Byrd, Art in America, December 2004.; Cullum, Jerry. “Review,” The Atlanta Journal Constitution, February 1, 2004.; Fox, Catherine. “Review,” The Atlanta Journal Constitution, May 6, 2004.; “The Intricate Precision of the Field The Kabbalistic Mysticism of Robert Sagerman,” by Mark Daniel Cohen, NY Arts, September 2003.; Seeing Red: An International Exhibition of Non-Objective Painting. Exhibition catalog, 2003. The Karl-Ernst Osthaus-Museum, Hagen, Germany.; “Driven to Abstraction,” by Amei Wallach, Art News, November 2003; “The Epistemological Movement in Late 20th Century Art: The Williamsburg Circle,” by Terrence Lindall, NY Arts Magazine, February 2002.; “Ultimo indirizzo Brooklyn,” by Enzo Siciliano, La Repubblica, June 14, 1999.
Publications Authored: The Serpent Kills or the Serpent Gives Life: the Kabbalist Abraham Abulafia’s Response to Christianity. Boston: Brill, 2011.; “The Syncretic Esotericism of Egidio da Viterbo and the Development of the Sistine Chapel Ceiling Program.” Acta ad Archaeologiam et Artium Historiam Pertinentia 19 (2005): 37-76.; “A Kabbalistic Reading of the Sistine Chapel Ceiling.” Acta ad Archaeologiam et Artium Historiam Pertinentia 16 (2002): 93-177.


		Born 1966 Bayside, NY Education 2008 PhD, New York University, Dept. of Hebrew and Judaic Studies 2000 MA, New York University, Dept. of Religious Studies 1998 MA, Pratt Institute, Dept. of Art History MA, Pratt Institute, Dept. of Fine Arts 1990 BA, Pratt Institute, Dept. of Fine Arts 1984-1986 United States Military Academy Solo Exhibitions 2019 Efflux, Brian Gross Fine Art, San Francisco, CA; exhibition catalog Instantiations, Philip Slein Gallery, St. Louis, MO 2018 Small Gestures, and the Fullness of Fields, Cris Worley Fine Arts, Dallas, TX 2017 Groundwork, Galerie Peithner-Lichtenfels, Vienna, Austria Totalizations, Marcia Wood Gallery, Atlanta, GA 2016 Cumulus, Brian Gross Fine Art, San Francisco, CA Monochrome Paintings, Philip Slein Gallery, St. Louis, MO 2014 Far Closer, Margaret Thatcher Projects, New York 2013 Peter Blake Gallery, Laguna Beach, CA Openings, Marcia Wood Gallery, Atlanta, GA 2012 Still Without Cessation, Brian Gross Fine Art, San Francisco, CA It’s Time, Margaret Thatcher Projects, New York 2011 Galerie Renate Bender, Munich, Germany Ermanno Tedeschi Gallery, Rome, Italy 2010 The Number Escapes Me, Marcia Wood Gallery, Atlanta, GA 2009 On and On: Inquiries into Indeterminacy, Margaret Thatcher Projects, New York, NY Workings, Brian Gross Fine Art, San Francisco, CA Ermanno Tedeschi Gallery, Rome and Turin, Italy 2008 Galerie Renate Bender, Munich, Germany Never. Ever., Marcia Wood Gallery, Atlanta, Georgia 2007 dematerializations / interstices / permutations, Brian Gross Fine Art, San Francisco, CA Activity, Margaret Thatcher Projects, New York, NY 2006 Innumerable Naught Nary, Marcia Wood Gallery, Atlanta, GA Recent Paintings, Renate Bender Gallery, Munich, Germany 2005 Amassing Color, Margaret Thatcher Projects, New York, NY Marking Time, Brian Gross Fine Art, San Francisco, CA 2004 Marcia Wood Gallery, Atlanta, GA 2003 435,546 Marks, Margaret Thatcher Projects, New York, NY Two-Person Exhibitions 2017 minimalsensualphysical, with Matt McClune and Jeremy Thomas, Galerie Renate Bender, Munich Germany Introductions, Cris Worley Fine Art, Dallas, TX 2014 Object Painting; Painting Object, with Bill Thompson, Galerie Renate Bender, Munich, Germany Group Exhibitions 2020 30th Anniversary Exhibition, Brian Gross Fine Art, San Francisco, CA; exhibition catalog 2019 Summer Highlights, Cris Worley Fine Art, Dallas, TX Weiss, Galerie Renate Bender, Munich, Germany Weiss, Galerie Haas, Ingolstadt, Germany 2018 Room for Play, Heather Gaudio Fine Art, New Canaan, CT Improvisations and Premeditations, Philip Slein Gallery, St. Louis, MO Emerging to Established, Krause Gallery, New York 2017 The Spirit of Abstraction, Philip Slein Gallery, St. Louis, MO Opening Scene, Marcia Wood Gallery, Atlanta, GA Black & White, QuadrART, Dornbirn, Austria 2016 Big Art/Small Scale, Philip Slein Gallery, St. Louis, MO 50 Shades of Red, Galerie Renate Bender, Munich, Germany Gallery Artists, Peter Blake Gallery, Laguna Beach, CA 2015 Summer Group Show, Peter Blake Gallery, Laguna Beach, CA Hot Spots, Margaret Thatcher Projects, New York Black and White, Galerie Renate Bender, Munich, Germany Schwarz auf Weiss, Museum Für Konkrete Kunst, Ingolstadt, Germany Mostly Monochrome, Galerie Renate Bender, Munich, Germany 2014 Pouring it On, The Herter Gallery, University of Massachusetts at Amherst Summer Formal, Peter Blake Gallery, Laguna Beach, CA E Artists, Ermanno Tedeschi Gallery, Tel Aviv, Israel Faszination FARBE, Kunsthaus Furstenfeldbruck, Germany 2013 New Year 2013, Margaret Thatcher Projects, New York Living Grey, Mies van der Rohe House, Berlin, Germany Excavating Layers, Richmond Art Center, Richmond, CA The Nature of Abstraction, Peter Blake Gallery, Laguna Beach, CA 2012 Ermanno Tedeschi Gallery, Turin, Italy 2011 .World, Ermanno Tedeschi Gallery, Tel Aviv, Israel 2010 Elevazioni e Permutazioni, PaRDeS, Mirano, Italy Gesture, Brian Gross Fine Art, San Francisco, CA Monochrome II, Galerie Renate Bender, Munich, Germany 2009 Pure Paint, Henry Gregg Gallery, Brooklyn, NYCommon Ground: Color, Charlotte Jackson Fine Art, Santa Fe, NM Common Ground: Color, Charlotte Jackson Fine Art, Santa Fe, NM 2008 Material Color, Hunterdon County Art Museum, Clinton, NJ This Just In, Marcia Wood Gallery, Atlanta, GA The Fascination of the Color Red, Galerie Renate Bender, Munich, Germany 2007 Luxe, Marcia Wood Gallery, Atlanta, GA …das viereckige rot?, Galerie Albert Baumgarten, Freiburg, Germany Farbe, Galerie Huebner, Hamburg, Germany Surface Impressions, Islip Art Museum, Islip, NY 2006 Blue!, Karl Ernst Osthaus-Museum Hagen, Germany Don’t Touch, Renate Bender Gallery, Munich, Germany 2005 About Paint, Westport Arts Center, Westport, CT Living Gray, Karl Ernst Osthaus-Museum Hagen, Germany Summer Sensation, Margaret Thatcher Projects, New York, NY 2004 Art Festival for World Peace, Shanghai ArtHouse, Margaret Thatcher Projects, New York, NY Die Farbe hat mich II, Karl Ernst Osthaus-Museum Hagen, Germany Gallery Bijutsu Sekai, Tokyo Innovate, Marcia Wood Gallery, Atlanta, GA M% Gallery, Cleveland, OH Painting as Process: Reevaluating Painting, group exhibition with Gerhard Richter and Robert Ryman, Earl Lu Gallery, LASALLE-SIA College of the Arts, Singapore 2003 Seeing Red: an International Exhibition of Nonobjective Painting, Hunter College, New York, NY, curated by Michael Fehr, Director, Karl Ernst Osthaus-Museum Hagen, Germany Tickled Pink, Marcia Wood Gallery, Atlanta, GA 2002 Roy Boyd Gallery, Chicago, IL Breathing Room, Margaret Thatcher Projects, New York, NY Blobs, Wiggles and Dots, Webs and Crustillations, The Work Space, New York, NY, curated by Lucio Pozzi 2001 Margaret Thatcher Projects, New York, NY coLABORATORY, Gale Gates et al., Brooklyn, NY Items from the Permanent Collection, Williamsburg Art and Historical Center, Brooklyn, NY 2000 01.15.00, Gale Gates et al., Brooklyn, NY 1999 Size Matters, Gale Gates et al., Brooklyn, NY Group Exhibition, Gale Gates et al., Brooklyn, NY 1998 The Calculus of Transfiguration, Williamsburg Art and Historical Center, Brooklyn, NY Higher Worlds, Pelham Art Center, Pelham, NY 1997 Downtown Arts Annual Group Exhibition, New York, NY. Juried by Fereshteh Daftari, Martin Eisenberg and Charlotta Kotik Symposium Finalist, New York. Work selected by Michael Brenson, critiqued by Janet Koplos, Donald Kuspit, Peter Schjeldahl and Simon Watson 1993 Alexander Gallery, New York, NY Three Young Future Majors, Alexander Gallery, New York, NY Museum Collections The Karl Ernst Osthaus-Museum, Hagen, Germany. Portland Art Museum, Portland, Oregon. Museum Für Konkrete Kunst, Ingolstadt, Germany. Bibliography “Todd Camplin Weekly: Robert Sagerman and Maysey Craddock,” by Todd Camplin, Modern Dallas, May 4, 2018. “Cullum’s Notebook: Drennen and Sagerman Offer Intriguing Mysteries that Reward Deeper Engagement,” by Jerry Cullum, ArtsAtl.com, January 19, 2018. Robert Sagerman; Black Diptychon 9,165 2014 + 8,183 2013, monograph, essay by Michael Fehr, foreword by Hans Burchard von Harling, Immenstadt, Germany, 2017. “Robert Sagerman @ Brian Gross,” by Larry Gipe, Squarecylinder.com, June 30, 2016. Schwarz auf Weiss, exhibition catalog, Museum Für Konkrete Kunst, Ingolstadt, Germany, 2015. “Fairy Queen: Art Miami’s Consistency in Quality Can Rival Art Basel/Miami Beach,” by Joan Boykoff Baron and Reuben M. Baron, Artcritical.com, December 5th, 2014. Mainly Grey (Hauptsache Grau), exhibition catalog by Michael Fehr, Mies van der Rohe House, Berlin, Germany, 2013. “Robert Sagerman and the Process of Creation,” by Jaap le Poole, Colorobjects.com, December 2, 2012. “Interview with Art Miami Director Nick Korniloff,” by Heike Dempster, Miamiartzine.com, November 29, 2013. “Robert Sagerman at Marcia Wood Gallery,” by Sara Riff, Burnaway.org, October 15, 2013. “Transfer of Meaning: the Momentum of Abstract Painting,” by Claire Lieberman, Art Experience: New York City, Spring, 2012. “Robert Sagerman: ‘It’s Time,’” by Matthew Hassell, NY Arts, February, 2012. “Robert Sagerman’s ‘It’s Time’ Exhibition Dazzles,” by Mia Macfarlane, Downtown, January 16, 2012. “Tactility as Mysticism; Robert Sagerman at Margaret Thatcher Projects,” by Franklin Einspruch, The New York Sun, January 13, 2012. “Robert Sagerman’s scrumptious paintings and Claire Lieberman’s piquant sculptures at Marcia Wood Gallery,” by Catherine Fox, ArtCriticATL.com, April 19, 2010. “Robert Sagerman,” catalog essay by Michael Amy, Turin, 2009. Material Color, Exhibition catalog, 2009. The Hunterdon County Art Museum, Clinton, NJ. “What I Saw at Art Basel: Day 1,” Emma Trelles, South Florida Sun-Sentinel, December 5, 2007. “Scratching the ‘Surface’ and teasing your senses,” by Ariella Budick, Newsday, April 2007. “Indeterminable Painting: Thoughts on the Work of Robert Sagerman,” catalog essay by Michael Fehr, Munich, 2006. Review of the exhibition “Living Gray” by Thomas W. Kuhn, Kunstform International, No. 176, June 2005. Living Gray. Exhibition catalogue, 2005. The Karl Ernst Osthaus-Museum, Hagen, Germany. K-West, April, 2005. Review of the exhibition Living Gray, by Stefanie Stadel. SF Weekly, May 25, 2005. Review by Sharon Mizota. Abstract Painting: Concepts and Techniques, by Vicky Perry, 2005 About Paint, Exhibition catalog, 2005. Art Festival for World Peace. Exhibition catalog, 2004. Gallery Bijitsu-Sekai, Tokyo, Japan. “Robert Sagerman at Marcia Wood Gallery,” by Cathy Byrd, Art in America, December 2004. Cullum, Jerry. “Review,” The Atlanta Journal Constitution, February 1, 2004. Fox, Catherine. “Review,” The Atlanta Journal Constitution, May 6, 2004. “The Intricate Precision of the Field The Kabbalistic Mysticism of Robert Sagerman,” by Mark Daniel Cohen, NY Arts, September 2003. Seeing Red: An International Exhibition of Non-Objective Painting. Exhibition catalog, 2003. The Karl-Ernst Osthaus-Museum, Hagen, Germany. “Driven to Abstraction,” by Amei Wallach, Art News, November 2003 “The Epistemological Movement in Late 20th Century Art: The Williamsburg Circle,” by Terrence Lindall, NY Arts Magazine, February 2002. “Ultimo indirizzo Brooklyn,” by Enzo Siciliano, La Repubblica, June 14, 1999. Publications Authored The Serpent Kills or the Serpent Gives Life: the Kabbalist Abraham Abulafia’s Response to Christianity. Boston: Brill, 2011. “The Syncretic Esotericism of Egidio da Viterbo and the Development of the Sistine Chapel Ceiling Program.” Acta ad Archaeologiam et Artium Historiam Pertinentia 19 (2005): 37-76. “A Kabbalistic Reading of the Sistine Chapel Ceiling.” Acta ad Archaeologiam et Artium Historiam Pertinentia 16 (2002): 93-177.